JAMIE’S PLACE FOR STUFF

A Stroll Though Memory, Time and Politics With Stops Along The Way

  • Way Back Machine

    1968

    I sometimes refer to 1968 as “The Year America Died”.  If you get a chance read 1968 The Year That Rocked The World  by Mark Kurlansky.  It was a hopeful time that came crashing down around our ears.  To some, 1968 was the year of sex, drugs, and rock and roll. Yet it was also the year of the Martin Luther King, Jr., and Bobby Kennedy assassinations; the riots at the Democratic National Convention in Chicago; Prague Spring; the antiwar movement and the Tet Offensive; Black Power; the generation gap; avant-garde theater; the upsurge of the women’s movement; and the beginning of the end for the Soviet Union.
     
    In this monumental book, Mark Kurlansky brings to teeming life the cultural and political history of that pivotal year, when television’s influence on global events first became apparent, and spontaneous uprisings occurred simultaneously around the world. Encompassing the diverse realms of youth and music, politics and war, economics and the media, 1968 shows how twelve volatile months transformed who we were as a people—and led us to where we are today

    A great deal of the positive and negative was reflected by a new arrival on Broadway.

    In a year marked by as much social and cultural upheaval as 1968, it was understandable that the New York Times review of a controversial musical newly arrived on Broadway would describe the show in political terms. “You probably don’t have to be a supporter of Eugene McCarthy to love it,” wrote critic Clive Barnes, “but I wouldn’t give it much chance among the adherents of Governor Reagan.” The show in question was the now-famous “tribal love-rock musical” that introduced the era-defining song “Aquarius” and gave New York theatergoers a full-frontal glimpse of the burgeoning 60s-counterculture esthetic. Hair premiered on Broadway on April 29, 1968.

    The Songs from that musical are still as powerful as the time in which they were first sung. Unfortunately, the promise has not been fulfilled.

    What a piece of work is a man! how noble in reason!
    how infinite in faculty! in form and moving how
    express and admirable! in action how like an angel!
    in apprehension how like a god! the beauty of the
    world! the paragon of animals! And yet, to me,
    what is this quintessence of dust? man delights not
    me: no, nor woman neither, though by your smiling
    you seem to say so.

    William Shakespeare
    Hamlet

About Me

Retired great grandmother living in Washington. Former radio Public Service Director and National Accounts Manager.

I’m a hair-dishevelled heilan’ coo,
Hamish McKay be ma name;
Welcome tae this dreichet glen
I’m cursed tae ca’ ma hame.
Depending on the mood I’m in
I’ll raise ma horns on high,
An’ if I like the look o’ ye
I’ll likely let ye by.
But should I dinnae like the look
O’ ye, then tak great care,
I’ll raise ma horns on high again,
Go on, get oot o’there!
So whether welcome yae or nae,
I’ll raise these horns sae mean,
Then ye shall ken ma meaning
By the twinkle o’ ma een.

Courtesy of
MARION GRAY Wollaton Road Wollaton Park Nottingham

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